Mastering the Magnetic Timeline in FCPX

Transient

FCPX reinvented the way we edit - either you hate it or are willing to embrace it. This session covered some of features of base editorial - where it's nearly impossible to go out of sync and you have to rethink the concept of 'tracks.'

I didn't get to cover some of the deeper topics here (such as trimming), but they're in my notes - feel free to ask questions if you have any!