Mastering the Magnetic Timeline in FCPX

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FCPX reinvented the way we edit - either you hate it or are willing to embrace it. This session covered some of features of base editorial - where it's nearly impossible to go out of sync and you have to rethink the concept of 'tracks.'​

I didn't get to cover some of the deeper topics here (such as trimming)​, but they're in my notes - feel free to ask questions if you have any!

Jeff Greenberg
This is my really short bio. Once upon a time, I was a premed student who foolishly took a film class (and I was over 25 at the time!) I now teach the technologies involved in film/video. Feel free to ask me anything you'd like!
jeffigreenberg.com
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Advanced Color Correction in Media Composer

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BCC - The Best Effects you're not using